![]() Part 3 proposes that the only possible kind of poetic catharsis that the Epicureans could have admitted is the one that aids reason and teaching in exercising their cleansing effects. Part 2 shows that Epicurus and his pupils would surely have rejected the catharsis of tragedy described in Aristotle’s Poetics, because this experience conflicts with many key doctrines of Epicureanism and is not pleasurable in the proper Epicurean sense. Part 1 shows that the Epicureans recognized the existence of a positive catharsis, namely that conveyed by reason and teaching, which are capable of dispelling from the mind those damaging emotions (love, fear of the divine, excessive desire, etc.) that hinder the achievement of happiness, or ‘katastematic’ pleasure. ![]() In order to prove this point, the paper is divided into three parts. It is argued that the former hypothesis is more probable. In the light of this premise, the paper investigates whether the Epicureans recognized a positive cathartic poetry, or whether they simply rejected all forms of poetic catharsis as harmful experiences. ![]() It is more probable that these philosophers rejected only those poetic compositions, processes and devices that do not lead to the goal of ‘katastematic’ pleasure, i.e. Recent scholarship has stressed the fact that the Epicureans were not hostile to poetry in general. ![]() Un exemple possible de cette pratique est le poème De rerum natura de Lucrèce dans lequel la poésie n’est pas considérée comme cathartique en soi, mais si et seulement si elle assiste la philosophie épicurienne dans sa conquête du bonheur. Enfin, dans un troisième temps, nous exposerons l’idée selon laquelle les épicuriens pourraient avoir accepté une seule forme de catharsis poétique : celle facilitant le processus de purification effectué par la raison et l’enseignement de la philosophie. Cette expérience esthétique entrerait alors en contradiction avec l’idéal épicurien du plaisir comme absence de trouble et d’inquiétude psychique. L’idée développée, dans un second temps, établit qu’Épicure et ses disciples pourraient s’être opposés à la catharsis tragique décrite dans la Poétique d’Aristote, parce qu’elle implique de passer par des passions négatives telles que la pitié et la terreur. Dans un premier temps, nous démontrerons que les épicuriens ont effectivement reconnu l’existence d’une catharsis positive, transmise par la raison et l’enseignement de la philosophie, ayant la capacité de faire disparaître les émotions négatives qui entravent l’accès au bonheur (l’amour, la peur du divin, le désir excessif, etc.). Nous constaterons dans ce travail de recherche, divisé en trois parties, que la première hypothèse est plus probable que la seconde. ![]() Dans cet article, nous nous demanderons donc si les épicuriens ont inventé une poésie cathartique de type positif ou s’ils ont simplement rejeté toutes les formes de catharsis poétique en les décrivant comme des expériences négatives. De nombreuses recherches ont mis en évidence le fait que les épicuriens n’étaient pas complètement hostiles à la poésie en général mais qu’ils refusaient probablement les compositions ou procédures poétiques qui ne conduisent pas à la fin naturelle du plaisir « catastématique », c’est-à-dire le bonheur. ![]()
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![]() ![]() Right: The same image after using high bit depth GIMP’s “Colors/Exposure” at 32-bit floating point linear precision to add one stop of positive exposure compensation.It might not appear to be the case, but this image is already very close to having out of gamut RGB channel values in the sky, and a simple Auto Stretch Contrast won’t lighten the image at all. Left: The original image, an interpolated camera raw file that was deliberately underexposed in camera to avoid blowing out the sky.Using high bit depth GIMP’s “Colors/Exposure” to lighten the ground by one stop without blowing out portions of the sky. A step-by-step example showing how to recover shadow information using high bit depth GIMP’s floating point “Colors/Exposure” ¶ But unlike using Curves, using high bit depth GIMP’s floating point “Colors/Exposure” doesn’t clip RGB channel values and allows you to fine-tune the results by modifying and re-modifying the layer mask until you are completely happy with the resulting tonality. This isn’t exactly nondestructive editing because at some point you need to make a “New from Visible” layer. The same general procedure can be used to darken as well as lighten portions of an image, again controlling the effect using a layer mask. Hight bit depth GIMP is my primary image editor, and I’ve used the procedure described below for the last couple of years as my “go to” way to modify image tonality. Power lines at noon, before and after tone mapping (aka “shadow recovery”) using high bit depth GIMP’s floating point “Colors/Exposure”.Īfter tone mapping/shadow recovery using GIMP unbounded Levels. The procedure is completely “hand-tunable” using masks and layers, and is as close as you can get to non-destructive image editing using high bit depth GIMP 2.9/2.10. This step-by-step tutorial shows you how to use GIMP’s unbounded floating point “Colors/Exposure” operation to recover shadow information-that is, add one or more stops of positive exposure compensation to an image’s shadows and midtones-without blowing out or unduly compressing the image highlights. But really these algorithms are special-purpose tone-mapping algorithms, which sometimes work pretty well, and sometimes not so well, depending on the algorithm, the image, and your artistic intentions for the image. Precanned algorithms for accomplishing this task are often referred to as “shadow recovery” algorithms. High bit depth GIMP’s floating point “Colors/Exposure”: much better than Curves for lightening the shadows and midtones of an image without blowing the highlights ¶Ī very common editing problem is how to lighten the shadows and midtones of an image without blowing out the highlights, which problem is very often encountered when dealing with photographs of scenes lit by direct sunlight. A step-by-step example showing how to recover shadow information using high bit depth GIMP’s floating point “Colors/Exposure”.High bit depth GIMP’s floating point “Colors/Exposure”: much better than Curves for lightening the shadows and midtones of an image without blowing the highlights. ![]() ![]() ![]() ![]() Dude Foods RSS Feedĭ is your home for ridiculous original food creations, amazing mouth-watering dishes restaurant reviews, and much more!Ĩ8.9K 5.4K 53.8K 1 post / quarter Get Email Contact 16. Hi, I'm Abby and I love all things sweet, with a vegan twist! 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